Tuesday, March 11, 2025

Lila Ripoll - "Naufrágio" / "Shipwreck"

Olá, caro/as leitore/as. Ofereço-lhes a minha primeira tradução para inglês da obra da poeta, brasileira, porto-alegrense, e comunista Lila Ripoll. Não conheço muito da vida dela, portanto vocês têm que esperar mais informações biográficas e literárias. Por enquanto, têm a coisa mais importante: o poema em si. Como sempre, esta tradução é um rascunho.

Até breve, camaradas.

DAS

-----

"Naufrágio"
Lila Ripoll


Uma sombra cobriu meu sonho,
desceu à terra, foi para o mar.
Vivo um pouco em cada barco
que naufraga silencioso,
sem chamar.

Um amor morou no meu peito,
cresceu sem medo, mas se escondeu.
Estou sempre em cada estrela,
que brilha um pouco e se apaga,
como eu.

Os meus braços estão quebrados,
sem ânsias novas para prender.
Rotas velas no mar alto,
levam sangue derramado,
sem morrer.


-----


"Shipwreck"
Lila Ripoll


A shadow fell upon my dreams,
descended to earth, went to sea.
I live briefly on each boat
that runs aground silently,
unnoticed.

A love dwelled in my chest,
grew fearlessly, but hid itself away.
I am forever in every star
that shines briefly and goes out,
like me.

My arms are broken,
without new cravings to grasp.
Torn sails on the high sea
lead to spilled blood
without dying.

Tuesday, February 11, 2025

Tools for surviving whatever this is

Things are so fucked right now that I don't have it in me to get into any of it, y'all. Instead, I'll just make a few brief remarks on some things that are currently buoying my spirits.

-The poetry of Brazilian communist Lila Ripoll, which I read a little of each night before bed and will begin translating here soon.

-The music of Ayloss, particularly his projects Mystras and Auriferous Flame. His strident anti-fascism means more than ever these days.

-Feeding the handsome black and white cat that comes by once or twice a day. We call him Kino. He doesn't really want anything to do with us, but it's nice looking out for him anyway.

-Darjeeling tea. I drink a lot of tea, and a lot of kinds of tea; when it comes to black tea, I've been a Ceylon partisan for a while, but after finding some particularly good Darjeeling offerings from Upton Tea Imports, I've been really enjoying it as a change of pace.

-Neko Atsume 2, because it's the most pleasant cellphone-related thing in the universe.

-Film photography. I never learned how to take a proper photo with a real camera, but I worked in a photo lab over 20 years ago (where I didn't learn how to develop film manually, either), and I've been shooting film more or less ever since. I use cheap, simple cameras―the Reto Ultra Wide and Slim has been my favorite for the past three years—shoot on Catlabs or Lomography film, and get it developed and scanned at FLATS. I should probably post some of my photos to this blog.

And a whole lot more, believe it or not. Shit is hard and about to get way harder, but fuck caving in under the weight of it all and letting the fascists win. I hope y'all are holding up, and that you've found your own things to enjoy as the world threatens to devolve into the stupidest, ugliest kind of fascism. Stay safe, and stay free.

P.S. I wrote this almost a month ago and apparently didn't include a title. I'm updating it on March 10, 2025, with tags and a title.

Sunday, December 22, 2024

MMXXIV: The Mockery of the Gods Knows No Bounds

All 1d6 of you who read this blog already know what a dire year 2024 has been, so I don't need to spend much time harping on it. America voted in a coterie of the worst kind of fascist losers and will soon pay an incalculably high price for it. My dad died after a relatively short but very brutal encounter with cancer. Houston got fucked up by two merciless storms and another year of drought. The capitalist ruling class continues to plunder the earth without even pretending to care about the future. Et cetera, ad nauseam.

The gods mock us mere mortals, yet demand our continued worship. But we owe the gods nothing. They may think they can pollute our terrestrial paradise and break our human solidarity, but they are nothing without us, and their celestial palaces burn as easily as a peasant's hovel. Titanomachy never goes out of style.

A happy Yule to all, and let's face the myriad oncoming horrors of A.D. MMXXV together. That's the only way we'll make it through and reclaim the world for ourselves.

Thursday, September 26, 2024

Maria Elsa da Rocha - "Goa, esse teu sari" / "Goa, that sari of yours"

好久不見, caros leitores. It's been a hell of a summer, mostly in a bad way, but I'll get into that another time, maybe. For now, I give you a poem by Goan teacher and writer Maria Elsa da Rocha (1924-2005). Primarily an author of short stories, a collection of which has been translated from Portuguese to English by Paul Melo e Castro, some of her poems appeared in Goa's shrinking post-1961 Portuguese newspapers. The  poem "Goa, esse teu sari" appeared in the Margão newspaper A Vida on July 15, 1963, according to Cielo Festino, who asked me to translate this in the first place. I'll probably translate the others found in the Archive of Goan Writing in Portuguese in the near future, despite the fall looking to be no less eventful than the summer.

Abraço,
DAS

-----

"Goa, esse teu sari"
Maria Elsa da Rocha

Goa,
bebe a luz
do facho da Liberdade
a longos haustos
se os quiseres.
Mas filha,
dá antes um jeitinho
às pregas desse teu sari
desarranjado.

Se quiseres,
põe carmim
nessa tua boca,
pálida e sofredora.
Mas disfarça um nadinha
nas dobras do pallav
o alvoroço
que te vai a alma.

Se quiseres,
vai,
mistura-te na manhã
e azula
o sonho sidéreo
do Vagueri sonhador...

Depois,
devagarinho
arrastando o sari
verde lentejoilando,
junto ao espelho do Mandovi,
empoa-te, filha,
na doirada poeira
que jorra
desse poente
incandescente.

À noite,
se quiseres,
inda podes brincar,
alegre,
cozendo ao sari
de cacimba-húmida
a leitosa espuma
da cascata sempre a dar...

Mas menina,
sê cautelosa!
manda a brisa, tua amiga,
dizer ao velho Himalaia
que cerre a cortina dos Gates,
que ventos insólitos
te podem arrancar
com fúria libidinosa,
gananciosa
pedaços
desse teu pobre manto...


-----


"Goa, that sari of yours"
Maria Elsa da Rocha

Goa,
drink the light
of Freedom's torch
in long gulps
if you want.
But girl,
first fix
the creases in that disheveled
sari of yours.

If you want,
put some rouge
on that mouth of yours,
pale and suffering.
But try a little to hide
the disturbance in your soul
in the folds of your pallav.

If you want,
go
mingle yourself with the morning
and paint
the celestial dream
of dreaming Vagueri blue...

Then,
slowly
dragging your
sequined green sari
along the mirror of the Mandovi,
powder yourself, daughter,
with the golden dust
that gushes from
that incandescent
sunset.

At night,
if you want,
you can still play,
joyous,
sewing the milky foam
of the endless waterfall
to your sari
made of fog...

But be careful,
child!
Have your friend the breeze
tell the old Himalayas
to close the curtains of the Ghats,
for strange winds
might snatch away
with lusty, greedy
fury
pieces
of your shabby garment...









Monday, June 10, 2024

Dia de Portugal, de Camões e das Comunidades Portuguesas MMXXIV - II

A fine translation by Richard Zenith of this poem can be read here.

-----

"Camões dirige-se aos seus contemporâneos"
Jorge de Sena

Podereis roubar-me tudo:
as ideias, as palavras, as imagens,
e também as metáforas, os temas, os motivos,
os símbolos, e a primazia
nas dores sofridas de uma língua nova,
no entendimento de outros, na coragem
de combater, julgar, de penetrar
em recessos de amor para que sois castrados.
E podereis depois não me citar,
suprimir-me, ignorar-me, aclamar até
outros ladrões mais felizes.
Não importa nada: que o castigo
será terrível. Não só quando
vossos netos não souberem já quem sois
terão de me saber melhor ainda
do que fingis que não sabeis,
como tudo, tudo o que laboriosamente pilhais,
reverterá para o meu nome. E mesmo será meu,
tido por meu, contado como meu,
até mesmo aquele pouco e miserável
que, só por vós, sem roubo, haveríeis feito.
Nada tereis, mas nada: nem os ossos,
que um vosso esqueleto há-de ser buscado,
para passar por meu. E para outros ladrões,
iguais a vós, de joelhos, porem flores no túmulo.

-----

"Camões Addresses His Contemporaries"
Jorge de Sena

You can take everything from me:
ideas, words, images,
and even metaphors, themes, motifs,
symbols, and superiority
in the pains of a new language,
in understanding others, in the courage
to fight, judge, penetrate
the recesses of love that neuter you.
And later you can not quote me,
suppress me, ignore me, even praise
other, happier thieves.
None of it matters: your punishment
will be terrible. Not just when
your grandchildren don't even know who you are,
but know me even better
than you pretend not to,
and every last thing you dutifully stole
will revert to my name. Every small, petty thing
that you did not steal but did on your own
will be mine, taken as mine, counted as mine.
You'll be left with nothing at all: not even your bones,
for if your skeleton is found
it will be passed off as mine, so that other thieves
like you can kneel and lay flowers on my tomb.

Dia de Portugal, de Camões e das Comunidades Portuguesas MMXXIV - I

Olá, caros leitores. Today is o Dia de Portugal, de Camões e das Comunidades Portuguesas, or Portugal Day. 2024 is the 500th anniversary of the birth of Luís Vaz de Camões, Portugal's national poet, who died on June 10, 1580. To commemorate the occasion, I've translated a couple poems by Jorge de Sena, a well-known Portuguese scholar of Camões and Portuguese literature. 

Both poems are about Camões and his legacy. The first, which I encountered on Helena Melo's excellent blog Moçambique e Por Aí, deals with the time he spent in Mozambique—Camões was, like many Portuguese of his epoch, famously peripatetic—while the second speaks quite directly for itself. The Portuguese originals are included in both cases.

My translations are, as always, a work in progress, but I hope everyone enjoys them nonetheless. Obrigado pela sua leitura, amigos.

Abraço,
DAS

-----

"Camões na Ilha de Moçambique"
Jorge de Sena

É pobre e já foi rica. Era mais pobre
quando Camões aqui passou primeiro,
cheia de livros a cabeça e lendas
e muita estúrdia de Lisboa reles.
Quando passados nele os Orientes
e o amargor dos vis sempre tão ricos,
aqui ficou, isto crescera, mas
a fortaleza ainda estava em obras,
as casas eram poucas, e o terreno
passeio descampado ao vento e ao sol
desta alavanca mínima, em coral,
de onde saltavam para Goa as naus,
que dela vinham cheias de pecados
e de bagagens ricas e pimentas podres.
Como nau nos baixios que aos Sepúlvedas
deram no amor corte primeiro à vida,
aqui ficou sem nada senão versos.
Mas antes dele, como depois dele,
aqui passaram todos: almirantes,
ladrões e vice-reis, poetas e cobardes,
os santos e os heróis, mais a canalha
sem nome e sem memória, que serviu
de lastro, marujagem, e de carne
para os canhões e os peixes, como os outros.
Tudo passou aqui ─ Almeidas e Gonzagas,
Bocages e Albuquerques, desde o Gama.
Naqueles tempos se fazia o espanto
desta pequena aldeia citadina
de brancos, negros, indianos e cristãos,
e muçulmanos, brâmanes, e ateus.
Europa e África, o Brasil e as Índias,
cruzou-se tudo aqui neste calor tão branco
como do forte a cal no pátio, e tão cruzado
como a elegância das nervuras simples
da capela pequena do baluarte.
Jazem aqui em lápides perdidas
os nomes todos dessa gente que,
como hoje os negros, se chegava às rochas,
baixava as calças e largava ao mar
a mal-cheirosa escória de estar vivo.
Não é de bronze, louros na cabeça,
nem no escrever parnasos, que te vejo aqui.
Mas num recanto em cócoras marinhas,
soltando às ninfas que lambiam rochas
o quanto a fome e a glória da epopeia
em ti se digeriam. Pendendo para as pedras
teu membro se lembrava e estremecia
de recordar na brisa as cróias mais as damas,
e versos de soneto perpassavam
junto de um cheiro a merda lá na sombra,
de onde n’alma fervia quanto nem pensavas.
Depois, aliviado, tu subias
aos baluartes e fitando as águas
sonhavas de outra Ilha, a Ilha única,
enquanto a mão se te pousava lusa,
em franca distracção, no que te era a pátria
por ser a ponta da semente dela.
E de zarolho não podias ver
distâncias separadas: tudo te era uma
e nada mais: o Paraíso e as Ilhas,
heróis, mulheres, o amor que mais se inventa,
e uma grandeza que não há em nada.
Pousavas n’água o olhar e te sorrias
─ mas não amargamente, só de alívio,
como se te limparas de miséria,
e de desgraça e de injustiça e dor
de ver que eram tão poucos os melhores,
enquanto a caca ia-se na brisa esbelta,
igual ao que se esquece e se lançou de nós.

-----

"Camões on the Island of Mozambique"
Jorge de Sena

It is poor and once was rich. It was poorer
when Camões first passed through here,
his head full of books and legends
and the dissipation of seedy Lisbon.
When Easterners and bitter,
always wealthy lowlives were gone,
here he stayed; this place grew, but
the fortress was still being built,
houses were few, and the terrain
a vacant promenade, windswept and sunny,
a tiny lever made of coral
that launched the naus to Goa,
from which they returned full of sins
and rich cargo and rotten pepper.
Like the ship on the shoals to which the Sepúlvedas
gave their lives out of courtly love,
here he remained, with nothing but poems.
But before him, as after him,
everyone passed through here: admirals,
thieves and viceroys, poets and cowards,
saints and heroes, plus the nameless
scoundrels who served as ballast, crew, and
cannon fodder and fish food, like the rest of them.
Since da Gama, everyone passed through here —
Almeidas and Gonzagas, Bocages and Albuquerques.
In those days this small urban village
of whites, blacks, Indians and Christians,
and Muslims, Brahmins, and atheists
was astonishing.
Europe and Africa, Brazil and the Indias,
all met here in this heat as white
as the whitewashed fort, and as
criss-crossed as the elegant, simple ribs
of the fort's small chapel.
Lying here under forgotten headstones
are the names of all these people who,
like the blacks today, went to the rocks,
dropped their pants, and dumped into the sea
the foul-smelling filth of being alive.
I don't see you here now cast in bronze, laurels
on your head, or writing poems,
But in a corner, squatting like a sailor,
letting loose hunger and the glory of the epic
you've digested upon the nymphs who lick the rocks.
Your member hanging over the stones, you shuddered
in the breeze remembering the whores and ladies,
and verses of sonnets brushed up against
the smell of shit there in the shadows,
not thinking about from where deep inside you it came.
Relieved, you then climbed up
to the bulwarks and, staring at the water,
dreamed of another Island, the only Island,
while your hand rested, Lusitanian and
distracted, upon what had become your homeland
because it was the seed of it.
And being one-eyed, you couldn't see
separate distances: to you all things were one
and nothing else: Paradise and the Islands,
heroes, women, love that reinvents itself,
and a greatness not found in anything.
Your gaze settled on the water and you smiled
— but not bitterly, only with relief,
as if you'd been cleansed of your misery,
and of disgrace and injustice and the pain
of seeing that the best were so few,
while on the soft breeze wafted the smell of shit,
just like that which we forget and release from ourselves.

Friday, May 24, 2024

Goddamn, I'm busy

別來無恙。To call being actively involved in the labor movement in several different capacities, across several different unions, a time-consuming effort is an understatement. While I'm not working feverishly from 9 to 5 every day, I am frequently out at worksites at 6 AM, answering phone calls from members on weekends, and getting on Zoom in the evenings. My schedule is best described as fragmented. I'm mostly used to it at this point, though I'm not pleased with how little time or energy it leaves me to read, write, and translate. 

To that end, I've been making an effort to put time aside to do some translating. I don't have anything to share at the moment, but I will have draft translations of two Jorge de Sena poems about Luís de Camões ready by June 10, which is the Dia de Portugal, de Camões, e das Comunidades Portuguesas. I'm also reading Camões' epic poem Os Lusíadas in Portuguese, since 2024 marks the 500th anniversary of Camões' birth, and because I've only read it in English translation. 

My Chinese studies have been neglected, too. I was making good progress with classical/literary Chinese, but haven't really touched it in a few months. I finally found a modern Chinese learning app that suits me well, so I'm actually improving my Mandarin reading skills; work keeps getting in the way of meeting my tutor online and practicing conversational skills, however.

Overall, I'm optimistic I can get back into the swing of things w/r/t translation and writing. Even writing this blog post is a step in the right direction. Neverthless, life has a way of getting in the way, and as they say, 前途未卜 — it's hard to see the future. 

微臣
史大偉


Thursday, February 08, 2024

The Professional Women's Hockey League rules

I spent most of the first ten years of my life in one part or another of northern Virginia. One day, when I was in third or fourth grade—this would've been 1987 or '88—our gym class had a visitor. I don't remember his name, or what he looked like, other than than he wasn't particularly old but nevertheless had at least a partial set of false teeth. This was because he was a player for the Washington Capitals hockey team. 

The details of the visit are hazy, naturally. I seem to recall the guy being a former player for the Caps, though he might have been an active one. I don't really remember his uniform—it'd have been weird if he hadn't been wearing it, right?—or what he talked about. (Presumably hockey.) It's the teeth, which he removed for us with what I can only imagine was glee, that's stuck with me all these years. We played floor hockey, which I really enjoyed, in gym class, but I don't know if that started before or after the NHL player's visit.

A few years later, for no reason discernable from my current temporal vantage point, I started paying attention to the Washington Capitals. I don't know if I watched any games on TV; living in Texas and then Venezuela, I mainly remember reading the box scores in the paper, and asking for (and receiving) a Capitals t-shirt for Christmas in 1992 or '93. By the time I went back to Virginia for a year to attend college, however, I didn't think much about hockey, and never took the opportunity to see the Capitals play.

And so until recently, hockey remained something I enjoyed when I watched it, which was almost never. Then I learned, via the ever-reliable and perenially interesting Metafilter, that a new hockey league had just started up. The Professional Women's Hockey League only has six teams at the moment, so I decided to follow Montréal, since I've visited and am pretty fond of Québec (though I haven't actually been to Montréal). It's a loose affiliation, however; I'm here to just enjoy the sport.

And enjoy it I do, because everything about it is fun. I can watch games live on Youtube, which is a huge plus. The play is physical without being boneheadedly aggressive. I'd forgotten how exciting it can be to watch a fast, skilled forward thread through a couple defenders and take a shot on goal. The players had a union contract before the first game was played. I even like the plain jerseys that display only the city name, since none of the teams have names yet. 

I've got a couple hockey-loving friends in Pittsburgh, where Montréal is playing Toronto next month, so I'm considering a weekend trip to see my friends and some hockey. I just hope I don't see any players pop their teeth out to shock little kids.


Friday, January 12, 2024

MMXXIV

Goddamn, it's 2024. I was thinking back the other day about the experience of writing this blog, and what mostly came to mind was an undifferentiated decade or so of late, late nights spent smoking cigarettes (which I don't do anymore, alas) and spitting out whatever came to mind. The heyday of that approach was roughly 20 years ago, and after several moribund years I mostly moved to translation. These days I barely have the wherewithal to translate and post anything, much less run my mouth about any and all of life's infinite indignities. Not that I particularly want to spend my time doing that, but you get the drift.

So what does the Year of Our Lord 2024 hold for your humble Corpse? Who knows. At one point I thought I'd like to write about organizing and the labor movement, but I'm more interested in the work itself than writing about it. That said, I'm involved in some shit that I think deserves a writeup at some point, but maybe not here.

There are always records and books and movies to write about, and maybe I'll do that this year. I don't know. I've stopped thinking too far ahead w/r/t my life, because I've experienced firsthand how quickly it can change. I may not have time to write about heavy metal records or kung fu or Thomas Pynchon—or maybe I will. I'm here for livin', dudes, and while this blog is not the quotidian record it used to be, it'll still reflect the antemortem musings of your favorite posthumous dude.

Até breve, amigos e amigas.

DAS

now playing: Memoriam, "Austerity Kills"

Thursday, November 23, 2023

Holidays with Slasher Dave

Only one holiday really matters to me, and that's Halloween. Thanksgiving ain't bad. Christmas is just okay. Christmas music, however, is pure trash, or at least it was before Slasher Dave, one of the masterminds behind the almighty Acid Witch, released A Very Lofi Christmas in 2020. Additional albums in the series came out in 2021 and 2022, and if Santa doesn't shit in our stockings, we might get another one this year. 

Slasher Dave has also put out a shitload of Halloween-related music, enough that I'm too lazy to post links to every album, all of which can be found on his Bandcamp page. Every year I sit on the porch and hand out candy to the endless stream of trick-or-treaters and blast Slasher Dave, and every year it rules.

So, given how much I dig this guy's stuff, suffice to say I was pretty stoked to wake up this morning to an email telling me that a new album, A Very Lofi Thanksgiving, had dropped. I've listened to it a few times today while cooking, enjoying the cool weather, and watching my neighbors nearly burn down their garage. I really like the album art, too.

Due to unforeseen circumstances, this wasn't the Thanksgiving I was expecting, but I've made the most of it. Thanks, Slasher Dave. I think it's time for the walk around the block.

Happy Thanksgiving, y'all.

DAS

Thursday, October 26, 2023

Alberto Estima de Oliveira — O Diálogo do Silêncio / The Dialogue of Silence 48

Eis o poema final do livro!

I've enjoyed translating these poems, and I hope you've enjoyed reading them. I wish, more for the reader's sake than my own, that I'd been more inclined to do some research into Estima de Oliveira's life and work so as to provide more context for these poems, but I'll settle for making these poems available, not just in English but in Portuguese—I don't know if they've been reprinted since O Diálogo do Silêncio first came out in Macau in 1988.

As always, thanks for reading, caro leitor/a. Muito obrigado.

DAS

-----

48


a força vem do sul
em turbulência
meridiano em meridiano
antárctida do meu sonho

espero por ti
na mesopotâmia

espaço que criei

nas margens dos rios
dos meus desejos

    no centro
    do universo
    que me deste

    será o encontro

    das lágrimas
    vertidas
    em séculos
    de espera.


-----


48


the force comes from the south
turbulent
meridian by meridian
antarctica of my dreams

i wait for you
in mesopotamia

the space i created

on the riverbanks
of my desires

    in the center
    of the universe
    that you gave me

    will be the meeting

    of tears
    shed
    through centuries
    of waiting.