Monday, May 12, 2025

Reflecting Back on the Deeds We've Done, and Setting Out Again: Throne of Iron's "Adventure Two"

It's been nearly five years since I wrote my review of Throne of Iron's killer debut album Adventure One. Back then, we were forced to deal with a savage pandemic that ended up killing a million Americans; now we're living in a fascist regime that grows more grotesque and unbearable by the day, and we can only guess what the human cost will be. I hope the next time these dudes put out a record that we're living in happier times, but I'm not holding my breath.

Throne of Iron hasn't been super prolific in the intervening years, but they haven't been idle, either: they released a live album, a couple singles, a split with California thrash nerds Dungeon Crawl, and an EP. They even had a short-lived podcast that I enjoyed, but I imagine that life got in the way of that and everything else, as it tends to do. Point is that I've been waiting for this album for a while, and I'm stoked to tell y'all that it's everything you want from a sophomore effort.

Adventure Two picks up where Adventure One left off, literally and musically speaking. Their first album closed with a catchy instrumental synth piece called "Wish," which is forged into the straight-up metal opener "Denied" on this new album, using the same melody. It's pretty genius in its own way, and bodes well for the rest of the record. "Denied" is, fittingly, about a party of adventurers casting the legendarily fickle Wish spell and not getting what they hoped for from it.

I'm not going to go through the album song by song, but I will note that "The Oath" has a cool video that sums up the Throne of Iron aesthetic and showcases the classic metal sound that Adventure Two develops beyond what was heard on its predecessor. It also reveals that Hamm's is the band's beer of choice (which you might have figured out from their song "Gods of Liquid Gold" on the split with Dungeon Crawl), and that they're fond of cats. I told you it was a cool video.

The production is nice and clear. Guitars, drums, and vocals alike are mixed well, which is a bit of a relief because the drum sound on the original release of The Side Quest (the Dungeon Crawl split) was bafflingly bad. The bass gets kind of lost, though it's there, and I think this is because there isn't a full-time bassist in the band right now. Arzab of the Howling Abyss is credited as playing bass, but I suspect Arzab may be a stage name for one of the other members, or possibly a laptop. It doesn't really matter, fortunately.

Adventure Two is faster and more complex that Adventure One, demonstrating that the band has spent the last few years really fleshing out their sound and improving their songwriting, which was already solid to begin with. Gone are the first album's aural references to actually playing Dungeons & Dragons (the Dungeon Master and players' dialogue, the sound of rolling dice), but as much as I got a kick out of those, they're not necessary here. You get a slab of straight-up heavy metal that stands proudly on its own.

So there you have it, dudes. This is a fine progression for Throne of Iron, and an album anyone who likes traditional heavy metal will dig. It's got good riffs, tons of energy, and a bunch of songs about what totally has to be the band's D&D campaign. It's time to once more crack open a cold one, grab your dice, and—if you happened to buy the LP edition of Adventure Two—take the Dungeon Crawling Casserole the band gave you the recipe for out of the oven. Your buddies will be here soon, and there's fun to be had.


Tuesday, March 11, 2025

Lila Ripoll - "Naufrágio" / "Shipwreck"

Olá, caro/as leitore/as. Ofereço-lhes a minha primeira tradução para inglês da obra da poeta, brasileira, porto-alegrense, e comunista Lila Ripoll. Não conheço muito da vida dela, portanto vocês têm que esperar mais informações biográficas e literárias. Por enquanto, têm a coisa mais importante: o poema em si. Como sempre, esta tradução é um rascunho.

Até breve, camaradas.

DAS

-----

"Naufrágio"
Lila Ripoll


Uma sombra cobriu meu sonho,
desceu à terra, foi para o mar.
Vivo um pouco em cada barco
que naufraga silencioso,
sem chamar.

Um amor morou no meu peito,
cresceu sem medo, mas se escondeu.
Estou sempre em cada estrela,
que brilha um pouco e se apaga,
como eu.

Os meus braços estão quebrados,
sem ânsias novas para prender.
Rotas velas no mar alto,
levam sangue derramado,
sem morrer.


-----


"Shipwreck"
Lila Ripoll


A shadow fell upon my dreams,
descended to earth, went to sea.
I live briefly on each boat
that runs aground silently,
unnoticed.

A love dwelled in my chest,
grew fearlessly, but hid itself away.
I am forever in every star
that shines briefly and goes out,
like me.

My arms are broken,
without new cravings to grasp.
Torn sails on the high sea
lead to spilled blood
without dying.

Tuesday, February 11, 2025

Tools for surviving whatever this is

Things are so fucked right now that I don't have it in me to get into any of it, y'all. Instead, I'll just make a few brief remarks on some things that are currently buoying my spirits.

-The poetry of Brazilian communist Lila Ripoll, which I read a little of each night before bed and will begin translating here soon.

-The music of Ayloss, particularly his projects Mystras and Auriferous Flame. His strident anti-fascism means more than ever these days.

-Feeding the handsome black and white cat that comes by once or twice a day. We call him Kino. He doesn't really want anything to do with us, but it's nice looking out for him anyway.

-Darjeeling tea. I drink a lot of tea, and a lot of kinds of tea; when it comes to black tea, I've been a Ceylon partisan for a while, but after finding some particularly good Darjeeling offerings from Upton Tea Imports, I've been really enjoying it as a change of pace.

-Neko Atsume 2, because it's the most pleasant cellphone-related thing in the universe.

-Film photography. I never learned how to take a proper photo with a real camera, but I worked in a photo lab over 20 years ago (where I didn't learn how to develop film manually, either), and I've been shooting film more or less ever since. I use cheap, simple cameras―the Reto Ultra Wide and Slim has been my favorite for the past three years—shoot on Catlabs or Lomography film, and get it developed and scanned at FLATS. I should probably post some of my photos to this blog.

And a whole lot more, believe it or not. Shit is hard and about to get way harder, but fuck caving in under the weight of it all and letting the fascists win. I hope y'all are holding up, and that you've found your own things to enjoy as the world threatens to devolve into the stupidest, ugliest kind of fascism. Stay safe, and stay free.

P.S. I wrote this almost a month ago and apparently didn't include a title. I'm updating it on March 10, 2025, with tags and a title.